Felix Gelin and Claudine Jean describe in sign language how their community, the La Piste encampment, went up in flames this past summer, in Port-au-Prince, Haiti, Sunday, September 20, 2021. According to residents and a United Nations account, police lead the assault at dusk on the encampment, a shelter for deaf and disabled Haitians relocated there by the International Red Cross after the 2010 earthquake leveled the capital. (Photo by Rodrigo Abd/AP Photo)

A resident receives a dose of Pfizer BioNTech COVID-19 vaccine at a rural village on December 01, 2021 in Aringay, La Union province, Philippines. The Philippines is rushing to vaccinate its population as it mulls making COVID-19 vaccination mandatory and amid the looming threat of the Omicron variant of the coronavirus. The country, which has just approved booster shots for its adult population, launched a three-day national vaccination holiday on November 29 to December 1 with the goal of vaccinating at least nine million additional people. (Photo by Ezra Acayan/Getty Images)

Visitors look at photographs in the exhibition “Lisette Model Street Life e Horst P. Horst Syle and Glamour” at the art gallery “Camera – Centro Italiano per la fotografia” in Turin, Italy, 27 April 2021. Culture venues reopened to the public as several Italian region are back to COVID-19 yellow zone in the country's tier system. (Photo by Alessandro di Marco/EPA/EFE)

Yanira Villarreal, left, Ayde Choque, center, and Milenda Limachi, wearings masks amid the COVID-19 pandemic and dressed as a “Cholita” pose for a photo with their skateboards during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

A woman is helped with adorning her hair with jewelry, part of the traditional clothing known as “Pollera”, before the annual Thousand Polleras parade in Las Tablas, in the province of Los Santos January 10, 2015. According to local residents, the Pollera dates back to the 18th century and was worn by the Spanish lower classes. Today, it has become the Panamanian national costume. The dress is made entirely by hand and the jewellery worn is pure gold and worth thousands of dollars. (Photo by Carlos Jasso/Reuters)