A mahout rides an elephant at Tad Sae Waterfall outside Luang Prabang, Laos July 31, 2016. Protected by the United Nations cultural heritage agency UNESCO, Luang Prabang is one of the most alluring places in the region – a city that evokes old-world romance that has gained a reputation as a travellers' Shangri La. (Photo by Jorge Silva/Reuters)

Ethnic Uyghur tourists guides wait to perform in a show for Chinese tourists on June 29, 2017 in the old town of Kashgar, in the far western Xinjiang province, China. Kashgar has long been considered the cultural heart of Xinjiang for the province's nearly 10 million Muslim Uyghurs. (Photo by Kevin Frayer/Getty Images)

Pope Francis greets the crowd from his popemobile in downtown Rio de Janeiro. Pope Francis touched down in Rio de Janeiro on Monday, starting his first foreign trip as pontiff and a weeklong series of events expected to attract more than a million people to a gathering of young faithful in Brazil, home to the world's largest Roman Catholic population. (Photo by Ueslei Marcelino/Reuters)

Flamingo chicks walk in an enclosure before they are tagged in Fuente de Piedra, Spain, on Jule 19, 2014. Fuente de Piedra lagoon is a natural reserve with more than 170 different species recorded and one of the main breeding grounds for flamingos in the Iberian Peninsule. Hundreds of flamingo chicks are tagged and checked annually to record the evolution of the species. (Photo by Pablo Blazquez Dominguez/Getty Images)

“An artist has slammed junk food culture by creating shocking portraits of models covered in burgers, fries and even ketchup. Some of James Ostrer’s pictures resemble one of Willy Wonka’s nightmares as he uses liquorice for eyes and strawberry bootlaces for hair. In others, the 35-year-old smears his models’ faces with tears of ketchup and uses burgers, fries and sausages for facial features. James made the mouth-watering monstrosities to show the rampant consumption of junk food and how it affects our moods”. – Caters News

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.