From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)

From footballs to live fish, delivery mopeds piled high with unwieldy, unlikely goods are one of the Vietnamese capital’s most distinctive sights. As the city plans to ban motorbikes altogether, photographer Jon Enoch captured the drivers at work. (Photo by Jon Enoch/The Guardian)

A passenger (L) gets inside a decorated matatu as other passengers wait for it to fill at night in the streets of Nairobi, Kenya, 24 March 2018. The Matatu culture is very big in Kenya, the minibuses are decorated with colorful graffiti inside and outside and most of them are equipped with TV screens, high-speed internet, and power sockets. (Photo by Daniel Irungu/EPA/EFE)

Residents cross a swelling dam, due to rising waters brought about by Typhoon Koppu, in Las Pinas city, metro Manila October 19, 2015. Powerful typhoon Koppu ploughed into the northeastern Philippines before dawn on Sunday destroying homes and displacing 10,000 people and whipping up coastal surges four meters (12 feet) high, disaster agency officials said. (Photo by Ezra Acayan/Reuters)

A young man, who says he is part of a local criminal gang, poses for a picture holding a gun in the neighbourhood of Korogcho in Nairobi, Kenya, March 19, 2015. Around 2 million people live in the shantytowns packed in around Kenya's capital. Crime is high amid chronic unemployment levels, while basic services and sanitation are scarce. Residents try to make the best of things, eking out a living and picking up work where they can. (Photo by Siegfried Modola/Reuters)

A photographer takes picture of an automotive model during the 36th Bangkok International Motor Show in Bangkok, Thailand, March 24, 2015. No automotive event is complete without the latest offering of high-end cars and motorcycles, and the obligatory accessories stationed at each booth: nubile, young auto-show girls in skimpy, skinsqueezing outfits. This year's Bangkok International Motor Show did not disappoint, attracting a larger horde of eager, flesh-seeking photographers than actual fans of automobiles. (Photo by Jurnasyanto Sukarno/JG Photo)

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)