A pigeon sits on the cap of an Indonesian military personnel during a ceremony marking the country's 80th Independence Day, at the Presidential Palace in Jakarta, Indonesia, on August 17, 2025. (Photo by Ajeng Dinar Ulfiana/Reuters)

Models present creations by DAQQAB during the Petjoy Fashion Week in Shanghai, China, 02 November 2025. The 2025 Petjoy Fashion Week runs from 31 October to 02 November at the Shanghai Fashion Center. (Photo by Alex Plavevski/EPA)

A girl holds her newly purchased pet cat while posing for a photograph at a pet shop in Srinagar, the summer capital of Indian Kashmir, 10 November 2025. Kashmir is seeing more pet owners, especially of Persian cats. Over 6,000 cat bite cases were reported last year, accounting for nearly half of the rabies control budget. Experts urge vaccination as demand for pedigree pets continues to rise. (Photo by Farooq Khan/EPA)

Tony the ten-year-old tawny owl tucks himself on December 8, 2025 into a Christmas tree at the Scottish Owl Centre, West Lothian, where he was hatched and raised. (Photo by Katielee Arrowsmith/South West News Service)

An Animal Liberation Victoria activist cries as she holds a dead animal at Federation Square on October 1, 2013 in Melbourne, Australia. Over 200 activists gathered with the bodies of deceased animals to publicly grieve their deaths. Animal Liberation Victoria is against the treatment of animals as “property” an promotes a vegan lifestyle. (Photo by Graham Denholm)

A US Marine feeds an orphan kitten found after a heavy mortar barrage near “Bunker Hill” during the Korean War. (Photo by Sgt Martin Riley/Getty Images). 1953

A Spanish photographer has created a collection of pictures featuring animals dressed in human clothing. Miguel Vallinas who is based in Madrid, has called the project Segundas Pieles which means Second Skins. But rather than just creating a collection of funny pictures, Vallinas tries to imagine which clothes the animals would choose for themselves if they could.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.