Israeli woman, Nora Lifschitz, 28, holds an injured Egyptian fruit bat at her home in Tel Aviv February 22, 2016. Lifschitz says that she began caring for injured fruit bats from her home two years ago and now has some 70 of the flying mammals which she plans to release back into nature once they are healthy. (Photo by Baz Ratner/Reuters)

A man holds a cow at the cattle market in Maiduguri, Nigeria, March 9, 2016. A Nigerian government push to strangle the Boko Haram insurgency has shut down the cattle trade that sustained the city of Maiduguri, leaving many residents with no livelihood, including many of the two million people displaced by the war. In recent months the army has taken back much of the territory lost to the jihadists during the five-year insurgency. (Photo by Afolabi Sotunde/Reuters)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)

People rush an injured woman to a local hospital in Peshawar, Pakistan, Monday, October 26, 2015. A powerful 7.7-magnitude earthquake in northern Afghanistan rocked cities across South Asia. Strong tremors were felt in Kabul, New Delhi and Islamabad on Monday. In the Pakistani capital, walls swayed back and forth and people poured out of office buildings in a panic, reciting verses from the Quran. (Photo by Mohammad Sajjad/AP Photo)

A man sleeps between tombstones in front of his single-room home on a hot night in the Cairo Necropolis, Egypt, October 13, 2015. In the sprawling Cairo Necropolis, known as the City of the Dead, life and death are side by side. Amid a housing crisis in Egypt, and with the population of greater Cairo estimated at about 20 million, people count themselves lucky to have a place to call home in the graveyards that date back hundreds of years. (Photo by Asmaa Waguih/Reuters)

The faces of war have been brought back to life after a series of World War One photographs were expertly colourised. The black and white snaps were painstakingly restored and colourised by photographer Mario Unger (53) from Rotenturm, Austria. Here: One image shows an unidentified American soldier posing with a pistol, helmet, and Iron Cross medal taken from a German soldier, 1918. (Photo by Mario Unger/Mediadrumworld)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

People stand in the middle of the graves and in front of giant kites in the cemetery of Santiago Sacatepequez, Guatemala, November 1, 2015. Dating back 116 years, the tradition of flying kites in the cemetery of of Santiago Sacatepequez, integrates the Catholic feast of All Saints with ancient Mayan practices of honouring the dead. It is believed that the kites connect the living and the dead during the all saints day celebration. (Photo by Jorge Dan Lopez/Reuters)