A talented body painter has created a series of mind-bending illusions that cover entire torsos. Natalie Fletcher’s work are enough to make people double-take, the spiraling patterns of some appearing to fade into the abyss. In other works, the artists designs look as though they are never ending, while some show body parts appearing to protrude from models chests. The idea behind the ongoing series came to Natalie, 30, as a means of keeping entertained during the winter months. Here: Optical illusion bodypaint. (Photo by Natalie Fletcher/Cater News)

Heather Larsen from Golden, Colorado, USA performs a split while walking the slackfline or highline across two towers in the Tower of David citadel complex overlooking the Old City of Jerusalem 02 May 2016. Larsen is one of the world's top female highliners, or slack liners and walked the lines as part of a Kickstarter campaign for an outdoor product. The tower at left was built by King King Herod some 2000 years ago. (Photo by Jim Hollander/EPA)

A woman takes part in a global March for marijuana in Medellin, Colombia, May 7, 2016. The Global Marijuana March (GMM) is an annual rally held at different locations across the planet. It refers to cannabis-related events that occur on the first Saturday in May, or thereabouts, and may include marches, meetings, rallies, raves, concerts, festivals and information tables. (Photo by Fredy Builes/Reuters)

"Temptation", part of an installation from the artist-duo David Burns and Austin Young, appears among the works of 30 artists in the multimedia exhibition "The Value of Food: Sustaining a Green Planet" at the Cathedral of St. John the Divine, Wednesday, October 7, 2015, in New York. The exhibition, installed in the cathedral's seven chapels and 14 bays, explores food accessibility, sustainability and other food-related issues and runs through April 3, 2016. (Photo by Bebeto Matthews/AP Photo)

A Palestinian protester sets fire to himself as he throws a molotov cocktail during clashes with the members of the Israeli armed forces in the West Bank city of Hebron, 13 October 2015. The past 12 days have seen the worst spell of street violence in Israel and the Palestinian areas in years, stirred in part by Muslim anger over perceived changes to the status quo observed at a disputed Jerusalem holy site. Sixteen Palestinians from the West Bank and Jerusalem have been killed, but more than half of them have been attackers shot dead after or during attempts to stab Israelis. (Photo by Abed Al Hashlamoun/EPA)

Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

In this Friday, November 6, 2015 photo dancers Alba Ibanez, right, and Luis Chavez, both from Spain, dress up backstage before taking part in the World Salsa Master dance competition in Madrid. Ten dance couples from different countries around the world performed in front of an audience of around 2,000 people. Participants – who wore bright, colorful outfits – came from the United States, Italy, Spain, Portugal, Mexico, Chile, Uruguay, Czech Republic and Venezuela. (Photo by Francisco Seco/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)