“The Wild Animal Sanctuary is a U.S. organization that specializes in rescuing and caring for large predators which are being ill-treated, for which their owners can no longer care, or which might otherwise be euthanized. Created in 1980, The Wild Animal Sanctuary is situated on 720 acres (291 ha) of grassland near Keenesburg, Colorado North of Denver, and has helped over 1,000 animals since it first opened. As of 2010, it was home to over 290 animals”. – Wikipedia

Photo: Rescued brown and black bears feed at The Wild Animal Sanctuary on October 20, 2011 in Keenesburg, Colorado. (Photo by John Moore/Getty Images)

A fisherman is seen standing on a cliff edge at Cape Bank in La Perouse on February 20, 2011 in Sydney, Australia. The practice of fishing from rock platforms, cliffs and rocky outcrops is notoriously dangerous with many anglers per year being washed into the ocean by dangerous surf or unexpected large waves. Angling is often reported as the sport having the highest mortality rate on average due to fishermen drowning with rocking fishing contributing to a high number of these deaths. (Photo by Mark Kolbe/Getty Images)

A hand of a devotee is pictured as she rings a bell while offering prayers to the chariot of God Bhairab during the Bisket festival in Bhaktapur, Nepal, April 13, 2016. During the festival, also regarded as Nepalese New Year, images of the Hindu god Bhairava and his female counterpart Bhadrakali are enshrined in two large chariots and pulled to an open square after which rituals and festivities are performed. (Photo by Navesh Chitrakar/Reuters)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Women cover their heads with pans as they walk in a light rain brought by Hurricane Matthew in Port-au-Prince, Haiti, Tuesday, October 4, 2016. Matthew slammed into Haiti's southwestern tip with howling, 145 mph winds Tuesday, tearing off roofs in the poor and largely rural area, uprooting trees and leaving rivers bloated and choked with debris. (Photo by Dieu Nalio Chery/AP Photo)

Muslim women light candles during the “EarthHour” in Jakarta, Indonesia, on March 23, 2013. Hundreds of people observed the global event that encourages people to turn off their lights for 60 minutes. (Photo by Dita Alangkara/Associated Press)

Hotel guides jump as they pose for pictures outside the Great Hall of the People during the opening session of the National People's Congress (NPC) in Beijing, China, March 5, 2016. (Photo by Aly Song/Reuters)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.