Australian ballet dancer Marilyn Rowe prepares to perform Swan Lake with the Australian Ballet at the Canberra Theatre in 1978. Rowe was appointed director of the Australian Ballet School in 1999. (Photo by John Crowther/The Guardian)

Students prepare a floral decorative design “Rangoli” during the celebrations to mark the annual harvest festival of 'Onam' at a school, in Chennai on September 10, 2024. (Photo by R.Satish Babu/AFP Photo)

Displaced girl looks on behind a tree outside a school turned into shelter, amid ongoing hostilities between Hezbollah and Israeli forces in Baabda, Lebanon on October 31, 2024. (Photo by Yara Nardi/Reuters)

Volunteer of the SICS “Italian rescue dog school”, during a water rescue training session, inside the Averno lake in Pozzuoli. Italy, on October 26, 2024. (Photo by Vincenzo Izzo/Sipa USA)

Members of Tom Maior Special Group samba school perform during the carnival parade at the Anhembi Sambadrome in Sao Paulo, Brazil, 22 Febr​uary 2020. Carnival is the biggest and most popular celebration in Brazil. (Photo by Sebastiao Moreira/EPA/EFE)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.