Indian artist Sudarsan Pattnaik works on a sand sculpture depicting drowned Syrian boy Aylan Kurdi at Puri beach, some 65 kilometers away from Bhubaneswar, on September 4, 2015. Charities helping refugees saw a surge in donations on September 4 across Europe as people shocked by the heart-rending images of a drowned Syrian boy on a Turkish beach dug deep to help out. The photos of the lifeless body of three-year-old Aylan Kurdi, lying on a beach in Bodrum, Turkey, have triggered a wave of emotion across the continent, despite deep divisions among European governments on how to deal with the crisis. (Photo by Asit Kumar/AFP Photo)

A woman uses a virtual reality (VR) headset to view images by Mexican painter Frida Kahlo in Mexico City, Mexico, 23 May 2018. The technological giant Google launched the “The Faces of Frida”, an interactive digital exhibition that treasures the heartrending work of the Mexican artist to tell her story from different points of view, with attention to the invisible details. (Photo by Sashenka Gutierrez/EPA/EFE)

Indian people bang utensils and clap from the balconies of a residential building in Mumbai, India, 22 March 2020. Prime Minister Narendra Modi asks citizens to impose self-curfew to fight Coronavirus COVID-19 and also ask them to clap, bang the bells and utensils at 5pm Indian time to mark of respect and to thank the medical staff and others working 24 hours, during Covid-19 outbreak to keeping the Indians safe. (Photo by Divyakant Solanki/EPA/EFE)

Aceh Ulema Council (MPU) member Mukhlis reacts as he is whipped in public by a member of the Sharia police in Banda Aceh on October 31, 2019. An Indonesian man working for an organisation which helped draft strict religious laws ordering adulterers to be flogged was himself publically whipped on October 31 after he was caught having an affair with a married woman. (Photo by Chaideer Mahyuddin/AFP Photo)

Shi'ite fighters launch a rocket during clashes with Islamic State militants on the outskirts of al-Alam March 8, 2015. Thaier Al-Sudani: “It was me and a few other Iraqi journalists working for local outlets. We went to the frontlines in coordination with the Iraqi government forces and supporting militias. The press officer would come in the morning and take us to the frontline in a convoy. Whenever an area was won from Islamic State, the fighters would chant and pray and show victory signs. Most of the areas we were in didn't have residents, so after the battle they would resemble ghost towns; nothing but burnt cars and charred bodies of Islamic State fighters. Al-Alam was an exception as it had some residents who chanted for the government forces after their victory”. (Photo by Thaier Al-Sudani/Reuters)

Team Strong Silvers member Ngai Hin Kwok, 66, works out as teammate Ng Siu Chi, 57, watches at a stadium in Singapore March 15, 2015. Team Strong Silvers, is a group of senior citizens who train in calisthenics. The trio trains individually at least three times a week, and meets up for joint calisthenics at least twice a month. (Photo by Edgar Su/Reuters)

The carriages have decayed over time, on February 27, 2015, in Purwakarta, Indonesia. Dozens of trains are stacked on top of each other in what looks like a post-apocalyptic world. The old electric trains that travelled in and out of Jakarta, Indonesia, are weathered and decayed over time. The trains were used everyday since the 1980s and carried thousands of people to work. Now the carriages, which were once the lifeblood of public transport in the south-Asian city, have been left to rust among shrubbery. (Photo by HKV/Barcroft Media)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)