Residents carrying their belongings and pet dogs wade through a flooded street as they evacuate from their inundated homes in Liloan town, Cebu province, on November 4, 2025, after Typhoon Kalmaegi hit overnight. (Photo by Alan Tangcawan/AFP Photo)

A woman throws fallen leaves and jumps while posing for a photo at the Bauman garden in Moscow, Russia, Tuesday, October 14, 2025. (Photo by Pavel Bednyakov/AP Photo)

Palestinians drive classic cars during a gathering organized by the Bethlehem municipality near the Church of the Nativity in Manger Square in Bethlehem in the Israeli-occupied West Bank, on October 17, 2025. (Photo by Mussa Qawasma/Reuters)

Residents wrapped in blankets watch flames engulf bamboo scaffolding at Wang Fuk Court housing estate after a major fire broke out, in Tai Po, Hong Kong, China, on November 26, 2025. (Photo by Tyrone Siu/Reuters)

People visit the Yellow Sea forest park as the leaves of Dawn Redwoods turn red and yellow in winter in Yancheng, eastern China's Jiangsu province on December 4, 2025. (Photo by AFP Photo/China Stringer Network)

People wade through a flooded street after Typhoon Fung-wong hit Dagupan City, Pangasinan, Philippines, on November 10, 2025. (Photo by Noel Celisn/Reuters)

Ukrainian platoon commander Mariia talks on the phone in a position in the Donetsk region, Ukraine, Saturday, July 2, 2022. Ukrainian soldiers returning from the frontlines in eastern Ukraine’s Donbas region describe life during what has turned into a grueling war of attrition as apocalyptic. Mariia, 41, said that front-line conditions may vary depending on where a unit is positioned and how well supplied they are. (Photo by Efrem Lukatsky/AP Photo)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)