Alejandro Burdisio is an illustrator from Cordoba, Argentina who worked as an architectural illustrator in Argentina and abroad for over twenty years. Several years ago, he began to dabble in humor and cartoons. While still working as a draftsman, he developed an interest in fantasy art and started working with various publishers, video game makers and international newspapers. He has had his work published in the journal "The Murciélaga" and in 2010 published his first book of humor, "Burda World". Burdisio provides illustration workshops and seminars at the Faculty of Architecture at the National University of Córdoba, in Argentina and participates in many artistic events.

A woman takes part in the Watermelon Games at the 55th annual California Watermelon festival in Los Angeles, California on July 29, 2017. The day has become a tradition because watermelons have long been the prized crop of the eastern San Fernando foothills. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

Ukrainians jump over a fire in Kiev, Ukraine, 06 July 2017, as they celebrate the traditional pagan holiday of Ivana Kupala. Ivana Kupala is celebrated, during the summer solstice, on the shortest night of the year, marking the beginning of summer and is celebrated in Ukraine, Belarus, Poland and Russia on the night of 06 July. People sing and dance around bonfires, play games and perform traditional rituals. Young people jump over bonfires in order to test their bravery. Couples holding hands jump over the flames to test their love. If the couple does not succeed it is predicted to split up. Traditionally, children and young unmarried women wear wreaths of wild flowers on their heads to symbolize purity. (Photo by Sergey Dolzhenko/EPA)

“Supanova Pop Culture Expo (Supanova) is a fan convention focusing on science fiction and fantasy film and TV, comic books, anime, gaming and collectables. It is held annually in the Australian cities of Sydney, Brisbane, Perth and Melbourne”. – Wikipedia

Photo: Terminator and Wolverine pose for photos during the National Cosplay Championships as part of the Supanova Pop Culture Expo at the Dome at Olympic Park on June 19, 2010 in Sydney, Australia. Cosplayers and comic book and sci-fi fans from across the state gathered to meet like-minded folk and attend guest panels with the stars of some of the popular television shows and publications of the genre. (Photo by Sergio Dionisio/Getty Images)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Τhe hovering car without wheels, also called the hovercar, is a constant fixture in science fiction films, video games and comic books, and a long-standing dream for car lovers and technology fans alike. This dream is also shared by French photographer Renaud Marion, who creates images depicting hovering cars in everyday urban settings. In his ongoing photographic project titled ‘‘Air Drive’’, Marion combines retro car designs with futuristic technology, a project driven by his childhood visions of how the world was going to look like in the future. (Photo by Renaud Marion)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.