A church made entirely from ice is seen during the night at Balea Lac resort in the Fagaras mountains January 29, 2015. (Photo by Radu Sigheti/Reuters)
A Sadhu or a Hindu holy man sits on the banks before taking a holy dip at Sangam, the confluence of the Ganges and Yamuna rivers with the mythical, invisible Saraswati river, during the “Maha Kumbh Mela”, or the Great Pitcher Festival, in Prayagraj, India, on January 13, 2025. (Photo by Adnan Abidi/Reuters)
Martin Lacey Jr. with a lion during the premiere of the Circus Krone program “Circus der Preistraeger” at Circus Krone on February 2, 2016 in Munich, Germany. (Photo by Hannes Magerstaedt/Getty Images)
Students brave high winds and rain on Blackpool promenade as Britain prepares for high winds over the next two days on October 20, 2014 in Blackpool, England. (Photo by Christopher Furlong/Getty Images)
Cheng Chen (R), a 27-year-old worker at a state-owned enterprise, poses for a photograph with his nephew who is wearing his home-made Iron Man armour, in Xuzhou, Jiangsu province April 13, 2015. It cost Cheng about 500 yuan ($81 USD) to make the armour, which weighs about 4 kilograms, with plastic boards and LED lights, local media reported. (Photo by Reuters/Stringer)
A Donald Trump impersonator with a bikini clad model stops at a hot dog vendor near Trump Tower on October 25, 2016 in New York, as part of a performance art piece by British artist Alison Jackson. The event is to promote Jackson's new show, “Private”, in New York, which features staged photographs portraying the private lives of public individuals. (Photo by Timothy A. Clary/AFP Photo)
A woman takes a selfie in front of a Lunar New Year display featuring sheep at a shopping mall in Hong Kong, February 13, 2015. (Photo by Bobby Yip/Reuters)
Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.