John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Slick Glamour – Capturing a slicked up Herieth Paul and Jeneil Williams, photographer Daniel Sannwald (Management Artists) offers this high gloss vision for an Yves Saint Laurent feature published in Pop’s fall-winter edition. Styled in lingerie looks by fashion editor Tamara Rothstein, the beauties wow in jewel toned eyeshadow courtesy of makeup artist Frankie Boyd and wavy coifs by hair stylist Laurent Philippon. (Photo by Daniel Sannwald)

Teams face off in the Cartier Elephant Polo Cup November 18, 2006 in Jaipur, in the Indin state of Rajasthan. Cartier hosted the event which was held to highlight the plight of the dwindling numbers of Asian elephants. Indian and international celebrities flew in the India's “Pink City” for the high society event held by the global watch and jewelry giant. The animal rights organization, People for the Ethical Treatment of Animals, “PETA” had planned to protest the match, saying that elephants should not be used for sport. Elephants in Jaipur are commonly used for carrying tourists at historic sites. (Photo by John Moore/Getty Images)

South Korean teenagers participate in a warfare exercise as part of the Special Warfare Command's training course at a military base on August 4, 2011 in Seoul, South Korea. About 1,000 civilian volunteers including middle and high school students participated in the special force's four-day training programme to develop their spiritual and physical strength. (Photo by Chung Sung-Jun/Getty Images)

An old locomotive train that was used for transporting coal is preserved as a monument at Ny-Alesund, in Svalbard, Norway, October 11, 2015. A Norwegian chain of islands just 1,200 km (750 miles) from the North Pole is trying to promote new technologies, tourism and scientific research in a shift from high-polluting coal mining that has been a backbone of the remote economy for decades. (Photo by Anna Filipova/Reuters)

An activist takes a selfie during a protest ahead of the 2015 Paris Climate Conference, in Paris, Sunday, November 29, 2015. More than 140 world leaders are gathering around Paris for high-stakes climate talks that start Monday, and activists are holding marches and protests around the world to urge them to reach a strong agreement to slow global warming. (Photo by Christophe Ena/AP Photo)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

“John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881”. – Wikipedia. Photo: Ex Omnibus Driver. (Photo by John Thomson/LSE Digital Library)