Dani Alves of Paris Saint-Germain and Spanish model Joana Sanz are pictured inside the photo booth prior to The Best FIFA Football Awards at Royal Festival Hall on September 24, 2018 in London, England. (Photo by Michael Regan – FIFA/FIFA via Getty Images)

Sweden's Henrik Pilerud, inside the Totoro costume, and his team member Victoria Christensen (R) pose during an interview with AFP ahead of a rehearsal before the world cosplay championship 2024 during the World Cosplay Summit in Nagoya on August 3, 2024. (Photo by Philip Fong/AFP Photo)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

“Douglas Fisher has worked in the photographic industry for more than 25 years, starting out at 19 as an assistant before establishing his own studio, just two years later. Here, Douglas would go on to be among the first to champion the emerging worlds of digital photography and CGI, identifying early the transformative impact they would bring to advertising and high end photography”. – Tim Mitchell

Photo: «Carlsberg Launch». (Photo by Douglas Fisher)

Every week, crowds bypass Orlando’s enticing theme parks and megamalls, opting instead to follow a blood-soaked Jesus impersonator as he heads for crucifixion on an immaculate Florida lawn. This ironic choice of amusement is what prompted photographer Daniel Cronin to pay a hefty entrance fee and document the Holy Land Theme Park Experience, a 1,200-square-foot replica of biblical Jerusalem a few miles from Disney World and other well-known theme parks. (Photo by Daniel Cronin)