A Salvadoran clown is seen wearing colorful clothes and face make-up during the parade within the framework of the National Salvadoran Clown Day that is celebrated on the first Wednesday of every December by legislative decree in San Salvador, El Salvador on December 07, 2022. After the pandemic crisis, dozens of Salvadoran clowns took to the streets to celebrate their day, and invite families to respect the work of bringing smiles to children and adults in El Salvador. (Photo by Alex Pena/Anadolu Agency via Getty Images)

In this photograph taken on September 1, 2024, a tea picker shows her hands whilst she reaps leaves at a plantation in Hatton. The backbone of the economy, Sri Lanka's tea pickers are determined to use their powerful vote to choose a president this month who will change grim working conditions for good. The pickers' main political party, the Ceylon Workers Congress (CWC), are backing the incumbent Wickremesinghe. (Photo by Ishara S. Kodikara/AFP Photo)

Polish artist Agnieszka Pilat poses with the artwork of her robot painting dogs – Basia Spot and Bunny Spot – who have become artists painting on canvases with their paws, at the launch of the National Gallery of Victoria (NGV) Triennial 2023 in Melbourne on April 5, 2023. Pilat works with the Boston Dynamics dogs, training them to paint autonomously through AI technology individually and collaboratively, and will be part of more than 100 local and international artists, designers and collectives presenting at the exhibition opening in December. (Photo by William West/AFP Photo)

In this photo taken on January 20, 2024 a tourist poses in front of incense sticks drying in a courtyard in the village of Quang Phu Cau on the outskirts of Hanoi. Families living and working in the “incense village” of Quang Phu Cau now also make sticks in yellow, blue and green, catering to visitors eager to snap shots for Instagram. (Photo by Nhac Nguyen/AFP Photo)

Pedestrians and workers pass an upside down car art installation in a car park on the South Bank in London, February 19, 2015. British artist Alex Chinneck's illusory piece, entitled “Pick yourself up and pull yourself together”, and on display in the working car park for a week, sees a Vauxhall car suspended upside down, appearing to be gripping onto a peeled back length of tarmac. (Photo by Toby Melville/Reuters)

A hand of a labourer pushes bricks at a traditional brick factory in Arab Mesad district of Helwan, northeast of Cairo, May 14, 2015. About 45 labourers are employed at the brick factory and most work 10 hours a day. Adult workers earn a daily wage of 70 Egyptian pounds ($9) and child workers earn 40 Egyptian pounds ($5). The labourers, who are usually temporary or seasonally employed in Egypt's brick-making industry, experience unsafe work conditions, according to local media. (Photo by Amr Abdallah Dalsh/Reuters)

Jesus Moreno, 60, feeds pigeons in downtown Monterrey, Mexico July 7, 2015. For the past 30 years Moreno, who was once homeless, a drug addict, and formerly working as a investigative policeman, has been feeding pigeons twice a day, because to him they represent peace and the only way to communicate to God, local media reported. (Photo by Daniel Becerril/Reuters)

Dancers from the “Legend Lin Dance Theatre” perform the artistic director and choreographer Li-chen Lin's classic works “Hymne aux Fleurs qui Passent, Anthem to the Fading Flowers” during a rehearsal at the National Theater Concert Hall in Taipei, Taiwan, Tuesday, August 18, 2015. “Hymne aux Fleurs Qui Passent” pays tribute to the cycle of the year and the complementary principles of Yin and Yang whose eternal struggle provides the driving force behind the changing of the seasons. (Photo by Chiang Ying-ying/AP Photo)