In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

Jil Belen Teichmann of Switzerland in action against Victoria Azarenka of Belarus in her third round match on Day 6 at Roland Garros on May 27, 2022 in Paris, France. (Photo by Dylan Martinez/Reuters)

Cubans gather at Havanas Malecon waterfront to watch the fireworks on the eve of the city's 500th anniversary on November 15, 2019, in Havana, Cuba. The fireworks were launched from the opposite side of the Havana bay, at the El Morro fortress and lighthouse complex. (Photo by Sven Creutzmann/Mambo photo/Getty Images)

Supporters of US President Donald Trump rally in front of a poll station at Coral Gable Branch Public Library in Miami, Florida on November 3, 2020. (Photo by Eva Marie Uzcategui/AFP Photo)

Health workers watch as the vaccine against the Coronavirus arrives at a nursing home in l'Hospitalet de Llobregat in Barcelona, Spain, on Sunday, December 27, 2020. The first shipments of coronavirus vaccines developed by BioNTech and Pfizer have arrived across the European Union, authorities started to vaccinate the most vulnerable people in a coordinated effort on Sunday. (Photo by Emilio Morenatti/AP Photo)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)