A woman spends her time outdoors to observe the ancient festival of Sizdeh Bedar, an annual public picnic day on the 13th day of the Iranian new year, at the Tochal mountainous area northern Tehran, Iran, Sunday, April, 2, 2017. Sizdeh Bedar, which comes from the Farsi words for “thirteen” and “day out”, is a legacy from Iran's pre-Islamic past that hard-liners in the Islamic Republic never managed to erase from calendars. (Photo by Ebrahim Noroozi/AP Photo)

A woman enjoys her last alcoholic drink on December 4, 2020 in Cardiff, Wales. Following a firebreak period that ran from October 23 to November 9 the Welsh Government have introduced new rules which will prevent pubs, restaurants and cafes from selling alcohol at any time from 6pm on Friday. The rules will be reviewed on December 17. (Photo by Wales News Service)

A view of the world's highest 280-meter bungee jumping platform opened at the Milad Tower, a landmark in the Iranian capital Tehran, on September 11, 2024. The world's highest bungee jumping platform attracts great interest among the younger generation in Iran, especially women. Those who jump from the platform experience an unforgettable adventure with the thrill of soaring down from a height of 280 meters while watching the view of Tehran from above. (Photo by Fatemeh Bahrami/Anadolu via Getty Images)

A woman from the Pataxo tribe poses for a photo at an indigenous protest camp on the fourth day of the Terra Livre Indigenous Camp in Brasilia on April 7, 2022. The 10-day annual protest is held by indigenous people from tribes that arrive from all over Brazil, and calls for greater protection of their land and rights. (Photo by Carl de Souza/AFP Photo)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)