American model Kendall Jenner keeps her cool during a desert getaway in the second decade of June 2025. (Photo by @kendalljenner/Instagram)

Italian-American actress and model Julia Fox is seen on April 28, 2022 in Los Angeles, California. (Photo by Rachpoot/Bauer-Griffin/GC Images)

American television personality Paige Desorbo on June 26, 2025 channels her inner disco ball in a glittery snap. (Photo by paigedesorbo/Instagram)

American actress Sydney Sweeney rolls around in the grass during a photoshoot early July 2025. (Photo by sydney_sweeney/Instagram)

A pupil arrives on the first day of school at Yas American Academy in Abu Dhabi in the last decade of August 2025. (Photo by Victor Besa/The National)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Mirko Hanák was born in 1921 in Prague, Czech Republic and worked as a painter, graphic designer and illustrator. His specialties were animals and human figures that were full of life and fun. He also had a firm grasp on composition as his paintings were so well balanced despite his casual fluid line. He was working on “Charlotte's Web” the movie when he tragically died at the height of his career from leukemia in 1971.