Russian artist Maria Gasanova adjusts her make-up as she finishes “The Siberian Beauty” body art work from her “The Alive Painting” series before the opening ceremony of the Cultural Universiade as part of preparation for the 2019 Winter Universiade Krasnoyarsk, in the Siberian city of Krasnoyarsk, Russia, December 9, 2016. (Photo by Ilya Naymushin/Reuters)

Firefighters work to quell a fire on an alleged clandestine gasoline storage in the Ixtlahuaca community, Mexico on January 5, 2016. Looting broke out at dozens of stores in Mexico on Wednesday on the sidelines of protests against a steep gasoline price increase as authorities detained more than 200 people. (Photo by Mario Vazquez de la Torre/AFP Photo)

Workers fold up a billboard to prepare for the coming of typhoon Vongfong, in Manila, Philippines on Thursday May, 14, 2020. The first typhoon to hit the country this year roared toward the eastern Philippines on Thursday as authorities work to evacuate tens of thousands of people while avoiding overcrowding in shelters that could spread the coronavirus. (Photo by Aaron Favila/AP Photo)

A person wearing a face mask is reflected in an art work entitled “A=V” by Ben Cullen Williams, amid the coronavirus disease (COVID-19) outbreak, in Covent Garden, London, Britain on October 16, 2020. (Photo by John Sibley/Reuters)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.

A man works on “Long Ma”, a creation by La Machine production company, during a media visit to “A Journey to Nantes” (Le Voyage a Nantes) art festival in Nantes, France, June 30, 2015. The art festival will run from July 3 to August 30. (Photo by Stephane Mahe/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Danny Santos started photography as a hobby a few years ago, shooting strangers in the streets of Singapore every weekends. He still does that from time to time. Now he juggles between his day job as a graphic designer, and his part-time work as a freelance photographer. (Photo by Danny Santos)