Women cry as they look for reusable household materials after fire broke at slums in Kadivali area of Mumbai, India, Monday, December 7, 2015. Hundreds of homes were reportedly destroyed as fire tenders labored to reach the source in the heavily congested area. (Photo by Rajanish Kakade/AP Photo)

Vendors selling marigold garlands, which are used to decorate temples and homes during the Hindu festival of Durga Puja, drink tea as they wait for customers at a wholesale flower market in Kolkata, India October 6, 2016. (Photo by Rupak De Chowdhuri/Reuters)

An open house known as “The Doll Asylum” in Portland, Oregon on October 23, 2016. Mark Williams and his wife Heidi Loutzenhiser love halloween so much they fill their home with over 1,000 creepy dolls before opening it up for the public to enjoy over the halloween season. (Photo by ddp USA/Rex Features/Shutterstock)

A Palestinian clown wearing a face mask while entertaining children at their home during the lockdown after the outbreak of the COVID-19 pandemic in Jabalia Refugee Camp in northern Gaza Strip on November 18, 2020. (Photo by Mahmoud Issa/Quds Net News/ZUMA Wire/Rex Features/Shutterstock)

Members of Pakistan's Christian minority attend a service ahead of Christmas in Lahore, Pakistan, 22 December 2021. Pakistan is a majority Sunni Muslim country and home to four million Christians out of a total population of around 200 million people. (Photo by Rahat Dar/EPA/EFE)

Raccoon Fritzi eats at the home of veterinarian Mathilde Laininger in Berlin, Germany, January 27, 2022. She cares for four raccoons that can no longer be released into the wild. Raccoon Fritzi has an Instagram account with ten thousand followers. (Photo by Hannibal Hanschke/Reuters)

Supporters of Haiti's former President Jean-Bertrand Aristide march to his home to congratulate him at his 69th birthday, in Port-au-Prince, Haiti on July 15, 2022. (Photo by Ralph Tedy Erol/Reuters)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)