A woman fancy dressed as the character of La Catrina poses before taking part in the Catrinas Parade, commemorating the Day of the Dead, in Mexico City, on October 23, 2022. (Photo by Claudio Cruz/AFP Photo)

A Pataxo woman listens to her cell phone as she waits for the start of the Indigenous people's meeting with Brazil's former President Luiz Inacio Lula da Silva, as part of the 18th annual Free Land Indigenous Camp, in Brasilia, Brazil, Tuesday, April 12, 2022. (Photo by Eraldo Peres/AP Photo)

African ostrichs are seen during sunny autumn day in the largest ostrich farm “Nornieki” in Snepele, Latvia, 18 October 2021. (Photo by Toms Kalnins/EPA/EFE)

Palestinians scuffle with Israeli forces at Damascus Gate in Jerusalem's Old City on December 8, 2017. Palestinians clashed with Israeli security forces after calls for a “day of rage” as US President Donald Trump's declaration of Jerusalem as Israel's capital sent shockwaves through the region for a second day. (Photo by Thomas Coex/AFP Photo)

Ukrainians pour water on each other on a street in Lviv, Ukraine, 02 May 2016. The tradition of pouring water was an ancient spring ritual of cleansing on first Monday after Orthodox Easter. (Photo by Mykola Tys/EPA)

Racegoers attend the opening day of the Grand National Festival horse race meeting at Aintree Racecourse in Liverpool, north west England on April 7, 2022. (Photo by John Mather/Image View)

Mechanic and welder Sergei Kulagin, 32, strengthens the bracing of a spider sculpture, made by Kulagin, during a demonstration on the wall of an automobile repair workshop in the town of Divnogorsk outside Krasnoyarsk, Siberia, October 15, 2014. Enthusiast Kulagin, who works as a mechanic of an automobile service station, created about 20 sculptures made of used car parts and components during his non-working hours. (Photo by Ilya Naymushin/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)