“Locusts & Men”. Oppression, interaction, collaboration. In the life cycle of nature nothing is lost, but the coexistence of different species is sometimes difficult. In Madagascar periodically returns the archaic antagonism between man and the migratory locust, in a circle of life where the two species are looking for space and food for their survival. At the end of the day a man walks home carrying on his shoulders the heavy bag which contains the locusts captured during the day. The insects provide nutritious meals for the man and his family. Photo location: Madagascar, 2013. (Photo and caption by Michele Martinelli/National Geographic Photo Contest)

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Women sell bananas in the street, after traders in markets were prohibited from selling any non-food items in an attempt to halt the spread of the new coronavirus, in Kampala, Uganda Thursday, March 26, 2020. (Photo by Ronald Kabuubi/AP Photo)

Children hitch a ride with a passing tram in Dnipro, Ukraine on March 19, 2024. (Photo by Jack Hill/The Times)

A man wearing a face mask to help protect from the coronavirus carries a bag of groceries as he walks by a mural depicting an iconic financial market bull statue near the central business district, Monday, April 18, 2022, in Beijing. (Photo by Andy Wong/AP Photo)

Belarusians wearing national costumes celebrate a Pull the Kolyada Up the Oak rite in the village of Martsiyanauka, some 77 km (48 miles) east of capital Minsk, Belarus, Thursday, January 21, 2016. The merry ancient rite Pull the Kolyada Up the Oak marks the end of Orthodox Christmas celebrations in Belarus. On Jan. 21 a wheel, the so-called Kolyada, would be pulled up an oak or any old tree. The Belarusians believed that the ritual heralds a good harvest, luck and happiness for the entire year. (Photo by Sergei Grits/AP Photo)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)

Negin Ekhpulwak, leader of the Zohra orchestra, an ensemble of 35 women, practises on a piano at Afghanistan's National Institute of Music, in Kabul, Afghanistan April 9, 2016. Playing instruments was banned under Taliban rule in Afghanistan, and even today, many conservative Muslims frown on most forms of music. Living in an orphanage in the capital, Kabul, 19-year-old Negin Ikhpolwak leads an ensemble of 35 women that plays both Western and Afghan musical instruments. In a country notorious internationally for harsh restrictions on women in most areas of life, Negin's story highlights a double challenge. (Photo by Ahmad Masood/Reuters)