Moonlight illuminates sandstone buttes in the Valley of the Gods in the proposed Bear Ears National Monument near Mexican Hat, Utah, USA, 12 November 2016. In October 2015, a coalition of five Indian nations, including the Hopi, Ute, and Navajo, formally proposed the monument, attempting to preserve the parcel's 100,000 archeological sites from ongoing looting and grave robbing. Less than two months before handing over the White House to President Elect Trump, President Obama must decide if it's worth the political capital to designate Bear Ears a national monument. (Photo by Jim Lo Scalzo/EPA)

Migrant children run away from clashes with Mexican National Guards after their group crossed the Suchiate River on foot from Guatemala to Mexico, on the riverbank near Ciudad Hidalgo, Mexico, Monday, January 20, 2020. More than a thousand Central American migrants hoping to reach the United States marooned in Guatemala are walking en masse across a river leading to Mexico in an attempt to convince authorities there to allow them passage through the country. (Photo by Santiago Billy/AP Photo)

Hooded demonstrators vandalise a shop window in Mexico City, during the commemoration of the 50th anniversary of the 1968 Tlatelolco student massacre, on October 2, 2018. Fifty years ago, Mexican troops opened fire on student demonstrators, killing hundreds just days before Mexico City hosted the 1968 Olympics – one of the darkest episodes in a year of global turbulence. (Photo by Ronaldo Schemidt/AFP Photo)

A .44 Colt Dragon with a traditional Cowboy's hat. This weapon was originally used in the Mexican War of 1846-8 and it is typical of the type used in the “Wild West” of America. (Photo by Orlando /Three Lions/Getty Images). Circa 1950

Born in Los Angeles in 1980 to an engineer and an artist, Mac has been creating and studying art independently since childhood. He was inspired at a young age by classic European painters such as Caravaggio, and Vermeer and Art Nouveau symbolists such as Klimt and Mucha. This was mixed with the more contemporary influences of graffiti and photorealism, as well as as the Chicano & Mexican culture he grew up around.

A member of the Community Police of the FUSDEG (United Front for the Security and Development of the State of Guerrero) search for a man, who ran away upon seeing the Community Police approach as they patrolled a street, in the village of Petaquillas, on the outskirts of Chilpancingo, in the Mexican state of Guerrero, February 1, 2015. Approximately 500 members of the Community Police from the FUSDEG took control of the security of the village of Petaquillas on the night of January 30 at the request of the people tired of the actions of organized crime, local media reported. (Photo by Jorge Dan Lopez/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)