Arnaq Egede walks to the potato field on her family's farm on July 31, 2013 in Qaqortoq, Greenland. The farm, the largest in Greenland, has seen an extended crop growing season due to climate change. (Photo by Joe Raedle/Getty Images)

A worker manually changes the direction of the bonde, the typical tram line in Santa Teresa neighborhood, using a rope in Rio de Janeiro, Brazil, September 9, 2015. The Santa Teresa bonde, called “Bondinho” in Portuguese, is running with passengers as a part of a test period, after the service was suspended in 2011 following an accident that killed six people, according to residents. (Photo by Pilar Olivares/Reuters)

Steam comes out of the chimneys of the coal-fired power station Neurath near the Garzweiler open-cast coal mine in Luetzerath, Germany, Monday, October 25, 2021. The climate change conference COP26 will start next Sunday in Glasgow, Scotland. (Photo by Michael Probst/AP Photo)

Kevin Jay and Nigel Cox perform some light painting on the beach at Frinton-on-Sea in Essex, UK using colour changing LED light wands during a 25-second exposure on March 4, 2024. (Photo by Kevin Jay/Picture Exclusive)

People gather to view a new art installaiton at Waterfront Park entitled, Interstellar Influencer (Make an Impact) by Jason Klimoski and Lesley Chang of STUDIOKCA on Saturday March 30, 2024 in Alexandria, VA. The artwork depicts an asteroid that struck the region millions of years ago. (Photo by Matt McClain/The Washington Post)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.