(L-R) Zoe Kravitz, Jason Momoa, and Lisa Bonet attend the world premiere of “Conan The Barbarian” held at Regal Cinemas L.A. Live on August 11, 2011 in Los Angeles, California. (Photo by Jason Merritt/Getty Images)

Anne Hathaway arrives for the premiere of Twentieth Century Fox & Blue Sky Studios' “RIO” on April 10, 2011 in Hollywood, California. (Photo by John Sciulli/Getty Images)

Brooklyn-based artist Orly Genger comes to Manhattan with an installation called Red, Yellow and Blue. The work features the artists usage of intricately hand-knotted nautical rope covered in paint, creating a work that transforms the park’s lawns into colorfully-lined chambers that visitors can enjoy. The work will remain on view daily from May 2 through September 8, 2013 in Madison Square Park.

British singer Cheryl Fernandez-Versini aka Cheryl Cole arrives for the screening of “Ma Loute” (Slack Bay) during the 69th annual Cannes Film Festival, in Cannes, France, 13 May 2016. (Photo by Sebastien Nogier/EPA)

The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)

Children with balloons play beside the statue of British comedy legend Eric Morecambe on January 16, 2012 in Morecambe, England. According to scientists January 16, 2012 was “Blue Monday”, the most depressing day of the year. (Photo by Christopher Furlong/Getty Images)

Blue Man Group founders Phil Stanton, Chris Wink and Matt Goldman pose for a photo at the Blue Man Group's 20th anniversary reunion show to benefit The Blue School at the Astor Theater on April 13, 2011 in New York City.

Barcelona-based visual effects/3D animation company Big Lazy Robot brings us a beautiful animated video that uses an alternate robotic world to satirize our dependence on technology.