A bunker at aformer Swiss artillery fortress called Heldsberg stands near the town of St. Margareten, Switzerland March 22, 2015. Heldsberg fortress, located on the Swiss-Austrian border near the River Rhine and Lake Constance was built from 1938 to 1940 and remained in military use until 1992. Since 1993 it is open to the public as Fortress Museum Heldsberg. (Photo by Arnd Wiegmann/Reuters)

Ardent fisherman Ted Williams of the Boston Red Sox appears to have hooked Frances Flajnik, Tempe queen of Anglers World Series, March 15, 1960. (Photo by AP Photo)

Mrs. Marie Graskamp of Milwaukee shows the different positions one might assume when entering the bomb shelter in Milwaukee September 3, 1958. This circular entrance is about three feet in diameter. This is the entrance (according to the builders) that would connect to the cellar of a home assuming the shelter was in the ground for added protection. If a bombing should occur, all members of family would proceed to the cellar and then through the circular port into the shelter. (Photo by AP Photo)

A Vietnamese cosplayer poses as police officer character from the game during the League of Legends (LOL) Mid-Season Invitational 2019 play-in group stage, in GG Stadium, Ho Chi Minh, Vietnam May 5, 2019. (Photo by Reuters/Kham)

A Russian prisoner eating bread. (Photo by Hulton Archive/Getty Images). Finland, circa 1940

Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)