A cenote is a natural phenomenon, a sinkhole in the Earth’s surface. The Yucatan Peninsula in Mexico has an estimated 7,000 cenotes because it is primarily made up of porous limestone. For millions of years, rainfall slowly ate away at the limestone and a huge system of underground caves and caverns was formed. Many filled with water from rain or from the underground water table. When the roof of a water filled cave collapses, a cenote is born. The water found in a cenote may be fresh water, salt water, or both. Structurally it may be completely open, like a lake, almost completely closed with just a small opening at the top, or somewhere in between.

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

A Turkana boy herds cows as he carries a rifle in north western Kenya near the town of Kibish inside the Turkana region of the Ilemy Triangle September 26, 2014. The Turkana people have historically clashed over ethnic differences and precious resources such as fishing, pasture and fresh water with other tribes bordering their territory, such as the Dassanach from southern Ethiopia. (Photo by Goran Tomasevic/Reuters)

A woman holds up an umbrella and license plates, one that reads “love”, during violent protests between riot police and demonstrators in the Causeway Bay district of Hong Kong on October 1, 2019. The city observes the National Day holiday to mark the 70th anniversary of communist China's founding Strife-torn Hong Kong on October 1 marked the 70th anniversary of communist China's founding with defiant “Day of Grief” protests and fresh clashes with police as pro-democracy activists ignored a ban and took to the streets across the city. (Photo by Nicolas Asfouri/AFP Photo)

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

In 2002 photographer Corey Arnold left behind a poor economy in San Francisco and headed up to Alaska to try his luck at his longtime passion of fishing. Arnold, who had worked summers during college on a salmon boat in Alaska, signed onto the f/v Rollo, a crabbing boat that fishes in the dangerous Bering Sea. While working long, strenuous hours on the Rollo, Arnold often stole away with the captain’s permission to grab his camera and photograph the crew and the ship. Arnold eventually put together “Fish Work: Bering Sea”, a documentation of his seven adventurous and dicey crab seasons aboard the Rollo. (Photo by Corey Arnold)

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)