Adolf Hitler (left), German Nazi politician, in a deck chair next to is niece Angela (Geli) Raubal – around 1930. (Photo by Ullstein Bild/Ullstein Bild via Getty Images)
In this October 6, 1976, file photo, a right-wing student, center foreground, draws his arm back to strike a captured and wounded leftist student being taken by police to an ambulance in during a student massacre in Bangkok, Thailand. This year’s anti-government protests are seeking new elections, a more democratic constitution and an end to intimidation of political activists. Their speeches have repeatedly highlighted the 1976 tragedy, piquing the interest of the current generation in what their forebears faced. (Photo by Neal Ulevich/AP Photo/File)
A rail worker fixing a fog warning notice at South Woodford Railway Station in Essex. (Photo by H. F. Davis/Topical Press Agency/Getty Images). 20th October 1938
1974: American boxer Muhammad Ali, formerly Cassius Clay, strikes an aggressive pose at a press conference on November 29, 1974. (Photo by Harry Dempster/Express/Getty Images); American actor Will Smith at the Royal Premiere of the film Ali in London on December 11, 2001. Smith starred as Muhammad Ali in the film. (Photo by Dave Hogan/Getty Images)
“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)
US marines watch the mushroom cloud from an atomic explosion rise above the Yucca flats, Nevada during a US nuclear weapons test. (Photo by Keystone/Getty Images). USA, 1945
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)