Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)
Firefighters use flashlights to search for survivors among the rubble of collapsed buildings after a landslide hit an industrial park in Shenzhen, Guangdong province, China December 20, 2015. (Photo by Tyrone Siu/Reuters)
A post-industrial Rococo master, Kris Kuksi obsessively arranges characters and architecture in asymmetric compositions with an exquisite sense of drama. Instead of stones and shells he uses screaming plastic soldiers, miniature engine blocks, towering spires and assorted debris to form his landscapes.
An mechanic in Brick Lane Bikes repairs a fixed wheel bike in their shop in Shoreditch on June 14, 2011 in London, England. The UK bike industry has seen a dramatic rise in the number of people building their own custom bikes or purchasing bespoke bikes. (Photo by Oli Scarff/Getty Images)
Two models sit in an acrylic “ZF-Car” from the German manufacturer of the same name at the Automechanika automotive service industry trade fair in Frankfurt am Main, Germany, 12 September 2016. The Automechanika Fair runs from 13 to 17 September 2016. (Photo by Boris Rössler/EPA)
Freshmen in Zhengzhou Institute of Aeronautical Industry Management head bottles of mineral water for upright stand during military training on September 17, 2015 in Zhengzhou, Henan Province of China. More than 6,800 freshmen in the school are required to take part in the military training. (Photo by ChinaFotoPress/ChinaFotoPress via Getty Images)
A truck lays overturned onto a car following strong winds at a Kurnell industrial park after a rare tornado hit the Sydney suburb December 16, 2015. The tornado hit Sydney on Wednesday with destructive winds above 200 km an hour (125 mph) and cricket ball-sized hail, bringing down trees and power lines, tearing off roofs, overturning vehicles and causing flash flooding. (Photo by Jason Reed/Reuters)
Child beauty pageants are a billion-dollar industry in the U.S. While some critics see the pageants as an exploitation of innocents, others—particularly pageant parents—view the competitions as a way for a young talent to enter the entertainment industry. Shows such as Toddler & Tiaras have examined the behind-the-scenes drama of these tightly orchestrated contests, but now a show of Susan Anderson’s photographs at L.A.’s Kopeikin Gallery (through December 24), puts the glamour and excess of child beauty pageants on a pedestal for our contemplation.