A combination photo shows some of the colourful doors seen in Rabat's Medina and Kasbah of the Udayas, September 2014. UNESCO made Rabat a World Heritage Site two years ago and media and tour operators call it a “must-see destination”. But it seems the tourist hordes have yet to find out. While visitors are getting squeezed through the better-known sites of Marrakesh and Fez, the old part of Rabat - with its beautiful Medina and Kasbah of the Udayas - remains an almost unspoiled oasis of calm. Smaller and more compact, its labyrinths of streets, passages and dead ends are a treasure trove of shapes and colours, of moments begging to be caught by the photographer's lens. (Photo by Damir Sagolj/Reuters)

“Willy Rizzo was an Italian photographer and designer. In late 1948, Willy began an illustrious twenty-year career with Paris Match that would have him photograph some of the greatest names of the golden age of photojournalism. Married later to actress Elsa Martinelli, Rizzo enjoyed unparalleled access to the stars; Brigitte Bardot, Sophia Loren, Marilyn Monroe, Vivien Leigh, Audrey Hepburn, Jane Fonda, Gene Kelly, Fred Astaire, Salvador Dalí and Pablo Picasso all found themselves in front of Rizzo’s lens”. – Wikipedia. Photo: Jane Fonda, Studio Willy Rizzo, Paris, 1966. (Photo by Willy Rizzo)

When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)

“I'm Josh Fancher, a 21 year old with an avid interest in photography, including macro, nature and wildlife, night photography, landscapes, cityscapes and architectural photography. Inspired by the beautiful and amazing water drop photography of Martin Waugh, I started doing water drop collisions in December of 2007. I use a 105mm Micro Nikkor lens for water drops, along with a pair of Nikon SB 600 flashes. I recently got a StopShot system (Nov 2009), which makes timing a lot easier. Before then, timing was manual, with an eye dropper, eye-hand coordination, and a lot of patience” – Josh Fancher. (Photo by Josh Fancher)

Will Burrard-Lucas takes a photo while a Meerkat perches on his lens on January 2014 in Makgadikgadi, Botswana. These adorable Meerkats used a photographer as a look out post before trying their hand at taking pictures. The beautiful images were caught by wildlife photographer Will Burrard-Lucas after he spent six days with the quirky new families in the Makgadikgadi region of Botswana. Will has photographed Meerkats in the past and was delighted when he realised he would be shooting new arrivals. (Photo by Will Burrard-Lucas/Barcroft Media)

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These are the amazing panoramic photographs that look like little planets. They were taken by photographer Dan Arkle, 34, from Sheffield, UK. He said: “On a sharp summit, you feel literally on top of the world, with dramatic views in all directions, including straight down. I tried using conventional photography to capture this feeling, but even with a wide angle lens I couldnt get all the view in the image”. Here: “Taken at the tiny summit of Cima Piccola in the the Tre Cima group in the Dolomites, Italy. The large peak is Cima Grande Some remote peaks have a summit register, and my climbing partner Steve can be seen signing this in the bottom of the picture”. (“Little Planets” Project. Photo and comment by Dan Arkle)

These may look like alien creatures from another planet, but the odd organisms are, in fact, colorful, microscopic life forms found in our forests. The bizarre slime molds, known as mycetozoa or fungus animals, were captured by geologist Valeriya Zvereva. She spent months documenting the common life forms that are found beneath our feet – but are rarely seen. Incredibly, the organisms can move and hunt for other microscopic life forms on which to feed. Zvereva, who is from Moscow, used a special macro lens to capture the vibrant and up-close shots, which show off the organisms’ unlikely beauty. (Photo by Valeriya Zvereva/Caters News)