France's Simon Billy gets ready to practice speed skiing on the Chabriere ski slope in Vars, on March 29, 2017. (Photo by Jean-Pierre Clatot/AFP Photo)
Ella Bucio of Mexico takes part in a training session before Women's Speed Semi Final at the FIG Parkour World Championships in Tokyo on October 15, 2022. (Photo by Philip Fong/AFP Photo)
Kaye Don seated in the cockpit of his new racing car the “Silver Bullet” at Wolverhampton, England on February 21, 1930, in which he will attempt to beat world land speed record at Daytona. It has two 12-cylinder V shaped engines and each develops 2,000-h.p. The theoretical speed of the car is 275 m.p.h. but the designer estimated that will be able to reach 250 m.p.h. allowing for wind pressures. (Photo by AP Photo/Staff/Puttnam)
Humanoid robots fight during a kickboxing match on day two of the 2025 World Humanoid Robot Games at National Speed Skating Oval on August 16, 2025 in Beijing, China. The 2025 World Humanoid Robot Games (WHRG) will be held from August 14 to 17 in Beijing's National Speed Skating Oval, bringing together 280 teams from 16 countries across five continents. (Photo by Lintao Zhang/Getty Images)
Artist Ali Khalifa, center, draws graffiti at his old Kadhimiya district of Baghdad that needed municipal services, Iraq, Wednesday, June 2, 2021. (Photo by Hadi Mizban/AP Photo)
A picture taken with slow shutter speed shows Emily Vaca performing in the finals of the Tenth World Salsa Festival in Cali, Colombia, 04 October 2015. (Photo by Christian Escobar Mora/EPA)
A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.