Samba dancers arrive to perform ahead of the athletics competitions of the 2016 Summer Olympics at the Olympic stadium in Rio de Janeiro, Brazil, Sunday, August 14, 2016. (Photo by Jae C. Hong/AP Photo)
Sally Gomez drives to rescue of friend Michele Moore in flooded parking lot at Hyannis, Mass., September 9, 1969, after torrential rains of Hurricane Gerda flooded low areas of Cape Cod. Ann Davis of Osterville stands up in roof opening to lend a hand. Sally and Michele are from Centerville on the Cape. (Photo by Frank C. Curtin/AP Photo)
Leon Samson, 24-year-old showman, grimaces as an automobile is driven across his chest at Perth, Australia on October 9, 1960. Samson said the towel on his chest is to prevent the wheel from tearing his flesh. (Photo by AP Photo)
The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.
Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)
A christmas teddy bear is wheeled along on a trolley at the Steiff stuffed toy factory on November 23, 2012 in Giengen an der Brenz, Germany. Founded by seamstress Margarethe Steiff in 1880, Steiff has been making stuffed teddy bears since the early 20th century ever since her nephew Richard Steiff exhibited the first commercially produced teddy bear in Europe in 1903. Teddy bears are among the most popular children's toys and the company is hoping for a strong Christmas season. (Photo by Thomas Niedermueller)
Dancers Amy Hadley and Bethany Kingsley-Garner from the Scottish Ballet wait backstage during the dress rehearsal of the current production of “Sleeping Beauty” at the Theatre Royal on December 16, 2011 in Glasgow, Scotland. (Photo by Jeff J Mitchell/Getty Images)
A masked reveller poses along the flooded St. Mark's Square during a period of seasonal high water and on the first day of carnival, in Venice February 1, 2015. (Photo by Stefano Rellandini/Reuters)