A staff member of Sony Computer Entertainment tries out PlayStation 4's virtual reality headset Project Morpheus at its booth in Tokyo Game Show 2014 in Makuhari, east of Tokyo September 18, 2014. (Photo by Yuya Shino/Reuters)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)

A graphic designer has produced a haunting look at what the world’s most famous landmarks would look like if they were hit by a severe drought. Joel Krebs has intricately dried up hot spots such as the Tower Bridge in London, the Capitol in Washington, D.C., Niagara Falls and Machu Picchu. Here: Niagara Falls, Canada, after severe drought. (Photo by Joel Krebs/Caters News)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Children walk amid a mirror installation titled “Sea of Mirrors”, featuring digital images of fish in the ocean during a preview tour the day before the show's public opening at the AquaRio aquarium in Rio de Janeiro, Brazil, Wednesday, June 14, 2023. (Photo by Silvia Izquierdo/AP Photo)

After their wedding ceremony, groom and bride, Nathan Mauger, Connie Young with family and friends, toast to the solar eclipse from the Rose Garden in Manito Park, Monday, August 21, 2017, in Spokane, Wash. (Photo by Colin Mulvany/The Spokesman-Review via AP Photo)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)