Nikolay Skidan, a hunter, carries the skin of a wolf in the village of Khrapkovo, Belarus February 1, 2017. Wolf fur grows thickest in winter, so Belarussian hunter Vladimir Krivenchik only sets his traps once snow is on the ground. He and his wife live on the edge of the Chernobyl exclusion zone – 2,600 square km of land on the Belarus-Ukraine border that was contaminated by a nuclear disaster in 1986. (Photo by Vasily Fedosenko/Reuters)

Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

A UFO enthusiast who found himself locked in the iconic Roswell museum has shared the pictures he took with aliens to pass the time. Chris Burton, from the U.K., had dreamed of visiting Roswell, N.M., since he was a child but was stunned when he found himself locked in the International UFO Museum and Research Center during a recent trip. The 42-year-old used the unique opportunity to get interactive with the usually out of bounds exhibits and set up some funny snaps with the extraterrestrials – posing for a beer with one alien and taking a nap with another. (Photo by Chris Burton/Caters News Agency)