The anthropometric record card of Sarah Giles, a servant who was convicted of stealing in 1897, on display making up part of a mosaic of cards on a table top during a press preview for the Crime Museum Uncovered exhibition at the Museum of London in the City of London, Wednesday, October 7, 2015. Drawn from Scotland Yard's private collection, the show charts more than a century of violence and suffering, from the murders of Jack the Ripper to IRA and al-Qaida bombings. But it also celebrates the brains, bravery and scientific advances that helped catch perpetrators and solve crimes. (Photo by Alastair Grant/AP Photo)

The Red Arrows make a flypast during the Trooping The Colour parade at Buckingham Palace, in London, Saturday, June 13, 2015. Hundreds of soldiers in ceremonial dress have marched in London in the annual Trooping the Color parade to mark the official birthday of Queen Elizabeth II. The Trooping the Color tradition originates from preparations for battle, when flags were carried or "trooped" down the rank for soldiers to see. (AP Photo/Tim Ireland)

Participants take part in the 14th annual “No Trousers Tube Ride” event on the London Underground on January 12, 2025. The event, staged by Improv Everywhere, takes place every January in New York City and has since expanded internationally. What began as a small prank with just seven participants has grown into a global celebration of silliness, with dozens of cities, including London, joining in each year. (Photo by Guy Bell/Alamy Live News)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List

A woman poses with a cut-out of Vladimir Putin in the “President Cafe” in Krasnoyarsk, Siberia, Russia, April 7, 2016. Dozens of photos of Vladimir Putin, from childhood to Russian President, hang on the walls of President Cafe in a working-class area of Krasnoyarsk, a city in eastern Siberia. A life-size cut-out of Putin stands by the bar. Images of U.S. President Barack Obama, as well as leaders of Germany and Britain, greet customers in the toilets. (Photo by Ilya Naymushin/Reuters)

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)