A leg of a “diablito” frog (Oophaga sylvatica) is photographed in a laboratory at a laboratory in the zoo of Cali, Colombia, on July 19, 2019. Colombia is the second country with the largest number of amphibians in the world after Brazil. More than 40% of amphibian species worldwide are in danger of extinction. (Photo by Luis Robayo/AFP Photo)

A red squirrel and a woodpecker having an “argument” over some nuts in a woodland near Lockerbie, Dumfries and Galloway in Johnsfield, England in September 2020. (Photo by Karen Crawford/South West News Service)

A kingfisher dives into the leafy water of the River Alde near Rendham, Suffolk in the second decade of November 2022 and catches two fish. Kingfishers must be able to see the fish they want to catch before making their dive, so for this bird to be successful when leaves covered the surface of the water shows its true skill for survival. (Photo by Ivor Ottley/Animal News Agency)

Two young deer seem to look bashfully at the camera after a playfight in Bushy Park, London early February 2023. (Photo by Lesley Marshall/South West News Service)

A highland cow in Purbeck, Dorset shows off for the camera in the second decade of February 2023. (Photo by Kate Fry/Bournemouth News)

A camel is pictured in front of the Saturn tracking complex at the Russian-leased Baikonur cosmodrome in Kazakhstan on October 9, 2018. An astronaut and cosmonaut are due to travel to the ISS on October 11 aboard a Russian Soyuz MS-10 spacecraft from the Baikonur Cosmodrome in Kazakhstan. (Photo by Kirill Kudryavtsev/AFP Photo)

A Spanish photographer has created a collection of pictures featuring animals dressed in human clothing. Miguel Vallinas who is based in Madrid, has called the project Segundas Pieles which means Second Skins. But rather than just creating a collection of funny pictures, Vallinas tries to imagine which clothes the animals would choose for themselves if they could.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.