A woman walks near a bus on fire as supporters of Brazil's President Jair Bolsonaro protest after supreme court justice Alexandre de Moraes ordered a temporary arrest warrant of indigenous leader Jose Acacio Serere Xavante for alleged anti-democratic acts, in Brasilia, Brazil on December 12, 2022. (Photo by Ueslei Marcelino/Reuters)

Nertil Marcelin, leader of a community group, distributes machetes to residents in an initiative to resist gangs seeking to take control of their neighborhood, in the Delmas district of Port-au-Prince, Haiti, Saturday, May 13, 2023. (Photo by Joseph Odelyn/AP Photo)

Russian communists lay flowers at Soviet leader Joseph Stalin's tomb on Red Square next to the Kremlin wall in Moscow, Russia, December 21, 2015. Russian communists are marking the 136th anniversary of Josef Stalin's birthday. (Photo by Sergei Ilnitsky/EPA)

A spiritual leader (R) of the Huni Kui Indian tribe blows an herbal powder into the nose of a tribal member during a ceremony outside the village of Novo Segredo along the Envira river of Brazil's northwestern Acre state, March 9, 2014. Many indigenous groups, including the Huni Kui, Ashaninka, and Madija, live in villages in the Brazilian rainforest near the border with Peru. (Photo by Lunae Parracho/Reuters)

A naked holy man pulls a vehicle using his pen*s during the Magh mela festival in Allahabad, India on January 3, 2018. (Photo by Prabhat Kumar Verma/ZUMA Wire/Rex Features/Shutterstock)

A newly-married couple takes a nap before their mass wedding ceremony at the CheongShim Peace World Center in Gapyeong, South Korea, Sunday, February 17, 2013. Some 3,500 South Korean and foreign couples exchanged or reaffirmed marriage vows in the Unification Church's mass wedding arranged by Hak Ja Han Moon, a wife of the late Rev. Sun Myung Moon, the controversial founder of the Unification Church. (Photo by Lee Jin-man/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

South Korean rescue members wearing chemical protective suits walk past a monster character (R) during an anti-terror drill as part of a disaster management exercise at the COEX shopping and exhibition center in Seoul on May 20, 2016. South Korea is holding its 2016 Safe Korea anti-disaster exercise this week against terrorist threats and natural disasters. (Photo by Jung Yeon-Je/AFP Photo)