Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Supporters of Trinamool Congress (TMC) celebrate after learning the initial poll results of the West Bengal Assembly elections, in Kolkata, India May 19, 2016. (Photo by Rupak De Chowdhuri/Reuters)

Alessandra Perilli, of San Marino, competes during the trap women's qualification at the 2016 Summer Olympics in Rio de Janeiro, Brazil, Sunday, August 7, 2016. (Photo by Hassan Ammar/AP Photo)

A worker carries a bag of peeled carrots on her head outside a vegetable market in La Trinidad, Benguet in northern Philippines August 6, 2016. (Photo by Erik De Castro/Reuters)

Samba dancers arrive to perform ahead of the athletics competitions of the 2016 Summer Olympics at the Olympic stadium in Rio de Janeiro, Brazil, Sunday, August 14, 2016. (Photo by Jae C. Hong/AP Photo)

Residents ride on top of an overcrowded “Jeepney”, a locally manufactured public transport, along a highway in Mogpog town on Marinduque island in central Philippines April 8, 2015. (Photo by Erik De Castro/Reuters)