A policer officer hits a man with a baton as he tries to maintain order while migrants wait for trains at a temporary camp near Gevgelija, Macedonia, September 7, 2015. Several thousand migrants in Macedonia boarded trains on Sunday to travel north after spending a night in a provisional camp. Macedonia has organised trains twice a day to the north border where migrants cross into Serbia to make their way to Hungary. Since June, Macedonian authorities have said that more than 60,000 migrants have entered the country, and around 1,500 entered just in one day, mainly refugees from Syria. (Photo by Stoyan Nenov/Reuters)

In Jukkasjärvi, a village a few miles east of Kiruna, the proprietors of one hotel begin planning for a winter ice festival in March. That’s when they begin collecting some 5,000 tons of ice from the River Torne in order to prepare the Icehotel, the world’s coolest place to stay. Options for overnight stay include snow rooms, ice rooms, art suites, and the Northern Lights room, all of which range from about $300 to $900 per night. But the deluxe suite’s the only way to go. These rooms come with a critical amenity: heated ensuite bathrooms and saunas. Here: A man walks into a room in the Ice hotel in Jukkasjarvi, Sweden, December 16, 2015. (Photo by Ints Kalnins/Reuters)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

In this June 17, 2014 photo, a North Korean man takes shelter in the rain next to long propaganda billboards in the town of Samjiyon in North Korea's Ryanggang province. The Associated Press was granted to embark on a weeklong road trip across North Korea to the country’s spiritual summit Mount Paektu. The trip was on North Korea's terms. An AP reporter and photographer couldn't interview ordinary people or wander off course, and government “minders” accompanied them the entire way. (Photo by David Guttenfelder/AP Photo)

As kids we have the natural desire to explore and to create. Whenever our parents would make for us a paper plane, we would become overjoyed seeing it fly across the room. However, planes are not the only thing that can be made from paper, and not only kids are fascinated by it. Some people master the art of origami and are able to create pretty much anything. You never know what’s going to come out when the artist twists and turns a piece of paper in meticulous ways. Finally, the figurine is complete, and you immediately see the striking resemblance of this piece of paper with an animal or some other creature. Ross Symons is one of those artists. He creates his figurines simply for the joy it brings him. Maybe, he uses this as a medium to enter his childhood, or maybe he has other motifs – we will never know. (Photo by Ross Symons)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Ko Min, 26, manually extracts oil from one of three 300 feet deep wells he works on in the Minhla township of the Magwe district October 27, 2013. Everyday, Ko Min makes around $30 extracting crude oil from three small wells after he bought rights to use them for close to $1000 from a farmer who owns the land. In Myanmar, an impoverished country rich with natural resources, people from poor communities find ways to supplement their income by exploiting such resources, such as the Minhla township, traditionally rich with oil, often using primitive and dangerous methods. (Photo by Damir Sagolj/Reuters)