Dark clouds hang over the Great Belt Bridge connecting Nyborg and Halsskov, Denmark, on June 26, 2023. (Photo by Mads Claus Rasmussen/Ritzau Scanpix via AFP Photo)

Canada's Deanna Stellato-Dudek and Maxime Deschamps perform in the gala exhibition during the ISU Grand Prix of Figure Skating Final in Beijing on December 10, 2023. (Photo by Wang Zhao/AFP Photo)

Daniela Haralambie of Romania competes during the qualification of the women's FIS Ski Jumping World Cup competition at the Gross-Titlis Schanze in Engelberg, Switzerland, Thursday, December 14, 2023. (Photo by Philipp Schmidli/Keystone via AP Photo)

Sportsnet's Hazel Mae runs away as George Springer #4 of the Toronto Blue Jays is doused with water by Vladimir Guerrero Jr. #27 following a 7-2 over the Boston Red Sox at Rogers Centre on June 27, 2022 in Toronto, Ontario, Canada. (Photo by John E Sokolowski/USA Today via Reuters)

A model wears a creation for the Elie Saab Spring-Summer 2022 Haute Couture fashion collection, in Paris, Wednesday, January 26, 2022. (Photo by Francois Mori/AP Photo)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.