A man takes a photograph of his friend as thick smoke rises from a fire, which broke out at oil wells set ablaze by Islamic State militants before they fled the oil-producing region of Qayyara, Iraq, January 28, 2017. (Photo by Muhammad Hamed/Reuters)

These images give a rare insight into the life of a 19th Century Indian Maharajah. Maharajah Ram Singh ruled in the famous pink city of Jaipur between 1835 and 1880, and was also a keen photographer. Here: Full portrait of a woman in the harem in the royal palace of Jaipur, India, 1857 – 1865. (Photo by Maharaja Ram Singh III/Alinari via Getty Images)

A copper plated Oscar statuette is run through a series of chemical baths at Epner Technology in the Brooklyn borough of New York, Tuesday, January 17, 2017. Every Oscar fist-pumped or tearfully cradled by Academy Award winners is first cast, buffed and fussed over by people far from Hollywood who have spent the last several months making 60 identical gold Oscars for the Feb. 26th awards. (Photo by Seth Wenig/AP Photo)

Eryn, owned by Tom Chudleigh in Canada. New global research has revealed that ‘shed-scapism’ is sweeping the world with more people than ever ditching their tools and transforming their sheds into zen dens. The research comes as the Cuprinol Shed of the Year competition joins forces with aspirational shed fan site, Cabin p*rn, to launch the first ever global category. We have a stunning suite of imagery of 9 sheds from across the world - from Norway to Slovenia, British Colombia to Colorado who have all submitted their sheds in the hopes of being crowned the first ever Global Shed of the Year. (Photo by Cuprinol/Rex Features/Shutterstock)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Located in Kunshan, eastern China, the restaurant relies on over a dozen machines for tasks such as greeting customers, waiting on tables and cooking basic meals. The eatery becomes the third café in the world to rely on the use of robot employees, potentially giving a glimpse into how future businesses could operate. Photo: This photo taken on August 13, 2014, shows a robot carrying food to customers in a restaurant in Kunshan. It's more teatime than Terminator – a restaurant in China is electrifying customers by using more than a dozen robots to cook and deliver food. (Photo by Johannes Eisele/AFP Photo)

Rolando Pujol Rodriguez photographed the Cuban raft exodus in 1994, and twenty years later Enrique de la Osa took portraits of some of the people who made it to the United States, in this story which combines archive and present day images. Here: People put the finishing touches to a makeshift boat on a rooftop before lowering it onto a truck and launching it into the Straits of Florida towards the U.S., on the last day of the 1994 Cuban raft exodus in Havana, in this September 13, 1994 file photo. (Photo by Rolando Pujol Rodriguez/Reuters)