A “creuseur”, or digger, a plastic lantern on his head, readies to enter a copper and cobalt mine in Kawama, Democratic Republic of Congo on June 8, 2016. Cobalt is used in the batteries for electric cars and mobile phones. Working conditions are dangerous, often with no safety equipment or structural support for the tunnels. The diggers say they are paid on average US$2-3/day. (Photo by Michael Robinson Chavez/The Washington Post)

Pietro Sighel of Italy crashes during his heat of the men's 1,000-meter during the short track speedskating competition at the 2022 Winter Olympics, Saturday, February 5, 2022, in Beijing. (Photo by David J. Phillip/AP Photo)

“The Glimmer Twins”, a statue of Rolling Stones Sir Mick Jagger and Keith Richards created by sculptor Amy Goodman (centre), is unveiled at One Bell Corner in Dartford, Essex, UK on Wednesday, August 9, 2023. The statue has been commissioned by Dartford Borough Council to celebrate two of the town's most famous former residents. (Photo by Yui Mok/PA Images via Getty Images)

A woman loses her hat as waves crash into the St. Joseph Lighthouses, Sunday, June 30, 2024, off Tiscornia Beach in St. Joseph, Mich. (Photo by Don Campbell/The Herald-Palladium via AP Photo)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

The Elephant Rock is a natural rock formation found on the island of Heimaey (meaning Home Island) in Iceland’s Vestmannaeyjar archipelago (say that 10 times fast).