Chief priest Gbenga Saala raises a cutlass to kill a dog during an annual prayer and sacrifice celebration of the iron god Ogun in Abuja, Nigeria, June 23, 2015. Every year worshippers offer a dog as sacrifice to Ogun, a traditional Nigerian deity, in hope of an auspicious year ahead. Taxi drivers, blacksmiths, panel beaters and mechanics – trades that depend on metal for their livelihood – pay homage to Ogun, led by high priest Gbenga Saala. As part of the ceremony, the priest pours the dog’s blood on symbols of these workers’ trade: keys, spanners and other tools piled up in a metal barrel. (Photo by Afolabi Sotunde/Reuters)

A news crew runs from flames southeast of Middletown, Calif., on Tuesday, September 15, 2015, as winds kick up the Valley fire. (Photo by Wally Skalij/Los Angeles Times/TNS)

Children play in an outdoor shower as a soldier takes part in a surprise operation in the Manguinhos slum in Rio de Janeiro, Brazil, Thursday, January 18, 2018. Troops have been sent to Rio due to the increase of the violence, and in an attempt to help restore order, but so far have had little impact. The operation on Thursday took place three weeks ahead of Carnival, when thousands of tourists are expected to arrive in the city. (Photo by Leo Correa/AP Photo)

The Spanking. (Photo by Vika Valter/Getty Images)

Female female male threesome. My bit on the side is my best male friend. (Photo by Laoshi/Getty Images)

A woman and a child make a bonfire at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, April 1, 2016. (Photo by Marko Djurica/Reuters)

Director Pawel Pawlikowski holds his Oscar for best foreign language film for “Ida”, with presenters Chiwetel Ejiofor (L) and Nicole Kidman during the 87th Academy Awards in Hollywood, California February 22, 2015. (Photo by Lucy Nicholson/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)