A large teddy bear, used to enforce social distancing, is pictured sitting at a cafe in Pristina on July 23, 2020, as Kosovo authorities announce new measures to fight against the resurgence of the COVID-19, the novel coronavirus. (Photo by Armend Nimani/AFP Photo)

Afghanistan, published by Taschen later July, is a retrospective portfolio of the Magnum photographer Steve McCurry’s most striking images of the country, from 1979 to 2016. Here: Kunar province, 1980. Armed mujahideen carry animal skins to use as inflatable buoys to cross rapids. (Photo by Steve McCurry/Taschen/Magnum Photos/The Guardian)

The Lake of Lights at Talkin Tarn lake near Brampton in Cumbria, England on October 22, 2017 – where hundreds of lights in the surrounding woodland represent a cherished memory of a relative friend or loved one no longer with us. (Photo by Owen Humphreys/PA Images via Getty Images)

A Palestinian woman takes a picture of a member of the Israeli security forces as he takes her picture in a street in Jerusalem on December 16, 2017, as demonstrations continue to flare in the Middle East and elsewhere over the US president' s declaration of Jerusalem as Israel' s capital. (Photo by Ahmad Gharabli/AFP Photo)

Firefighters use a rope to rescue a group of people stranded in a flooded street on July 12, 2018 in Chengdu, Sichuan Province of China. A strong storm has hit many parts of southwest China's Sichuan Province since Monday, causing landslides and floods in the region. (Photo by Wang Hongqiang/Chengdu Economic Daily/VCG)

A picture released by the North Korean Central News Agency (KCNA) shows Kim Jong-un convening an urgent operation meeting at 0:30 am on March 29, 2013 at an undisclosed location, in which he ordered strategic rocket forces to be on standby to strike US and South Korean targets at any time. (Photo by KCNA via EPA)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.