A mahout rides an elephant at Tad Sae Waterfall outside Luang Prabang, Laos July 31, 2016. Protected by the United Nations cultural heritage agency UNESCO, Luang Prabang is one of the most alluring places in the region – a city that evokes old-world romance that has gained a reputation as a travellers' Shangri La. (Photo by Jorge Silva/Reuters)

“Liu Bolin is an artist born in China’s Shandong province in 1973, and he earned his Bachelor of Fine Arts from the Shandong College of Arts in 1995 and his Master of Fine Arts from the Central Academy of Fine Arts in Beijing in 2001. His work has been exhibited in museums around the world. Also known as “The Invisible Man”, Liu Bolin's most popular works are from his “Hiding in the City” series; photographic works that began as performance art in 2005”. – Wikipedia. (Photo by Reuters/China Daily)

“Hellfest is an annual music festival which takes place in Clisson, France in mid-June. It is held within the Val de Moine sport complex in Clisson, approximately 35 km south-east of the city of Nantes, and approximately 400 km south-west of the nation's capital Paris. Billed as an “extreme music festival”, the programme features a variety of heavy metal, hard rock, punk and hardcore acts”. – Wikipedia. Photo: HellFest 2013. (Photo by Cesar Hernandez)

From the 1940s through the 1960s, the Alfred Mainzer Company of Long Island City, NY published a series of linen and photochrome humorous cat postcards illustrated by Eugen Hartung (or Hurtong) (1897–1973), sometimes referred to as “Mainzer Cats”. These postcards normally illustrate settings that are filled with action, often with a minor disaster just about to occur. While the dressed cats were by far the most popular and most plentiful cards, Hartung also painted other dressed animals – primarily mice, dogs, and hedgehogs.

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

A neighborhood watch volunteer stands guard on her street on February 9, 2017 in Peronia, Guatemala. Residents of Peronia, south of Guatemala City organized block by block to secure their community after ten of their neighbors in January were killed, they say, for refusing to pay extortion money to gangs. Armed with machetes and sticks, residents take turns each night, baring strangers' entry into their neighborhoods. Violence and poverty continue to drive emigration from Central America to the United States, even as the Trump administration moves to tighten border security. (Photo by John Moore/Getty Images)

An artist takes part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 20, 2019. Living statues are a common sight in many city centers, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

A reveler strikes a pose during an unofficial carnival block party referred to as “blocos”, in Rio de Janeiro, Brazil, Saturday, February 26, 2022. City Hall banned all blocos, the tightly packed street parties attended by those who cannot or don't want to buy pricey tickets for the official parade at the Sambadrome, due to a wave of the Omicron variant. (Photo by Silvia Izquierdo/AP Photo)