American actress and model Barbie Ferreira shows off her figure on New Year’s Eve. (Photo by barbieferreira/Instagram)

Mount Kilimanjaro looms behind an elephant at Amboseli National Park in southern Kenya, 2024. (Photo byYaron Schmid/YS Wildlife Photography/Solent News)

A girl dances in front of the digital art installation “Light in Dark” created by teamLab, a collaborative of Japanese digital artists, during a special exhibition of “Shake! Art Exhibition! and Learn and Play! teamLab Future Park” at National Museum of Emerging Science and Innovation (or Miraikan) in Tokyo, Japan, 19 January 2015. The exhibition is held through 01 March 2015. (Photo by Kimimasa Mayama/EPA)

A Chinese stripper dances during a funeral in Handan city, Hebei province, China on March 2015. The Chinese Ministry of Culture has announced plans to work closely with the police to eliminate risqué performances, including strippers, at funeral. The aim of such entertainment is to draw more mourners to the ceremony. (Photo by Imaginechina/Rex Features/Shutterstock)

A woman sells Cuban Communist Party (PCC) official newspaper Granma with a picture of former Cuba's President Fidel Castro at the front page, at the main touristic road in Havana, Cuba, September 14, 2016. (Photo by Alexandre Meneghini/Reuters)

A villager pours pesticide from a bucket as Mount Sinabung spews ash at Kebayaken village in Karo district, Indonesia's North Sumatra province, on December 4, 2013. The country has ordered the evacuation of 15,000 residents near the active volcano. (Photo by Roni Bintang/Reuters)

Mamoni Mandal, member of the Rapid Action Force (RAF), attends a training session at a police training school in Kolkata April 15, 2007. (Photo by Parth Sanyal/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)