A protester blows bubbles at police during protests at the Land Forces 2024 arms fair in Melbourne on September 12, 2024. (Photo by William West/AFP Photo)

A fishing boat arrives at the port in Plobannalec-Lesconil, western France, October 22, 2025, as huge waves and strong winds hit the coast at the passage of the storm Benjamin. (Photo by Fred Tanneau/AFP Photo)

A person dressed up as a rabbit exits the subway to attend the Zombie Walk, to mark the Day of the Death in Sao Paulo, Brazil on November 2, 2024. (Photo by Maira Erlich/Reuters)

Canadian singer-songwriter Jessie Reyez performs during the Corona Capital music festival in Mexico City, Saturday, November 16, 2024. (Photo by Eduardo Verdugo/AP Photo)

A man waves a flare during a celebratory demonstration following the first Friday prayers since Bashar Assad's ouster, in the central square of Damascus, Syria, December 13, 2024. (Photo by Leo Correa/AP Photo)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)

“NASA's Mars rover Opportunity just celebrated its ninth anniversary on Mars – a mission that was originally meant to last just 90 days...” – The Atlantic. Photo: NASA's rover Opportunity visits Victoria Crater, viewed from orbit by the High Resolution Imaging Science Experiment on NASA's Mars Reconnaissance Orbiter in october of 2006. Opportunity is a small dot on the crater's lip, at top right. Opportunity first reached the crater's rim on September 27, 2006. (Photo by NASA/JPL-Caltech/University of Arizona via The Atlantic)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)