A model presents a creation by German designer Karl Lagerfeld as part of his Haute Couture Spring Summer 2015 fashion show for French fashion house Chanel in Paris January 27, 2015. (Photo by Gonzalo Fuentes/Reuters)

(L-R) Miss Universe 2015 Pia Wurtzbach, Miss USA 2015 Olivia Jordan and Miss Teen USA 2015 Katherine Haik attend the 2016 Miss USA pageant at T-Mobile Arena on June 5, 2016 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)

Female members of the Chinese People's Liberation Army (PLA) honour guard stand behind a string to ensure that they are in a straight line before a welcoming ceremony for Russian President Vladimir Putin outside the Great Hall of the People in Beijing, China, June 25, 2016. (Photo by Kim Kyung-Hoon/Reuters)

Dancers rehearse for the Rockettes 2015 Radio City Christmas Spectacular in New York October 15, 2015. (Photo by Lucas Jackson/Reuters)

The Thom Browne Fall 2015 collection is modeled during New York Fashion Week, Monday, February 16, 2015. (Photo by Diane Bondareff/AP Photo)

A woman uses her smartphone before the Chanel Cruise Collection 2015/16 fashion show at the Dongdaemun Design Plaza in Seoul, May 4, 2015. (Photo by Thomas Peter/Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)