A man rides his bicycle as a wave crashes at La Libertad malecon on May 13, 2015. El Salvador emergency authorities has declared an orange alert along the Pacific coast due to a large swell that affected the Salvadoran coast. The swell originated from the extra-tropical storms that formed in New Zealand and the Southern hemisphere, according to El Salvador's Ministry of Environment and Natural Resources. (Photo by Jose Cabezas/Reuters)

Andrew Ling's inspiring photographs showcase the splendor of the natural world, using people to highlight the beauty and scale of these epic landscapes. Each image features a person photographed from hundreds of feet away, seemingly insignificant in comparison to the breathtaking landscape that surrounds them – whether beneath gushing waterfalls, under millions of glittering stars or atop of gigantic cliffs. Andrew, 22, said, “I hope these images will help remind people how beautiful the world we live in is”. Here: Second Beach, La Push, Washington, March, 2015. (Photo by Andrew Ling/Caters News)

Dancers attend a dress rehearsal for the new grand show “THE WYLD” at Friedrichstadt-Palast in Berlin October 2, 2014. Ten choreographers are working with 60 dancers from the world's largest show ballet company to create the flamboyant stage spectacle. The show's name, “THE WYLD”, represents human nature in its diversity and the wilderness of the big city – in this case, Berlin. The premiere of the 10.6 million euro ($13.5 million) show, the largest production budget in the 95-year history of Friedrichstadt-Palast, is on October 23, 2014. (Photo by Hannibal Hanschke/Reuters)

The Atlantic Puffin is definitely a curious-looking bird. The special coloring that this bird develops for the breeding season in the spring is very reminiscent of tropical birds. The bright colors of the beak and the markings around the eyes serve no particular advantage and have evolved as a result of sexual selection. However, Puffins don’t look that pretty all year round. They shed all these festive colors in partial moult after the breeding season is over. They lose the ornaments around their eyes, their face becomes darker, and their beak becomes very different. The natural habitat of these birds is the cold waters of the North Atlantic Ocean.

When you look at the picture of a furry pig that resembles a sheep from a distance, you may think that this may be the result of the work of some crazy scientist that tinkered with the pig’s genome. However, in this case, this is not true. Mangalica is a natural breed of pigs, which were bred in Europe for their lard. This breed of pigs is very unique, since the only other breed of pigs which had a long coat was Loncolnshire Curly Coat, which is now extinct. In the past, these pigs were quite popular, since they were able to produce a lot of lard. However, when the demand for pig lard dwindled, the population of these pigs rapidly decreased, making it a “rare breed”.

“The RSPB’s Snettisham Nature Reserve lies on the edge of The Wash, one of the most important bird estuaries in the United Kingdom. The Wash, on England’s east coast, supports over 300,000 birds, and Snettisham sometimes holds more than a third of them”. – The Palm Beach Post. Photo: Waders flock together seeking new feeding grounds during the incoming tide. (Photo by Dan Kitwood/Getty Images via The Palm Beach Post)

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.