A model presents a creation by Spanish designer Juana Martin during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris, on July 6, 2023. (Photo by Julien de Rosa/AFP Photo)
Beatriz Hatz, of the U.S., competes at Women's Long Jump -T64 final at the Stade de France stadium, during the 2024 Paralympics, Saturday, August 31, 2024, in Paris, France. (Photo by Emilio Morenatti/AP Photo)
In one of the Museum’s courtyards is a swimming pool framed by a limestone deck. When seen from the deck, the pool appears to be filled with deep, shimmering water. In fact, however, a layer of water only some 10 centimeters deep is suspended over transparent glass. Below the glass is an empty space with aquamarine walls that viewers can enter. The work sets up an unfolding sequence of experiences—we view the pool through the glass wall enclosing the courtyard; from the deck, looking down into the pool; and from the interior of the pool, looking up. The Swimming Pool might hence be considered a place where, slowly, with time, different perspectives and perceptions of self and others all come to intersect.
For 20 years, Joann Biondi worked as a freelance writer. Then one day she adopted a kitten that had been tossed in a garbage can and left for dead. That kitten had an unusual quirk; he liked to wear clothes and pose for the camera. So Joann started shooting, and then she got serious about photography. Fast forward four years and that kitten is now Lorenzo the Cat, a feline art photography project that has gotten both the cat and the photographer a lot of attention; gallery shows, museum exhibits, and stories in major media outlets throughout the world. Amid it all Lorenzo has remained a mellow dude who still likes to roll around in the dirt, chase lizards, and knock things off the kitchen counter when his food bowl is empty.
A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)
“For most Londoners, the most common view they enjoy as they trudge to work is the back of another commuter's head. But now, thanks to the Streetmuseum app, anyone traipsing through the capital's streets can step back in time to see what London looked like in the 19th and 20th century compared with today – all in the same image”. – Joe Krishnan via The Independent. Photo: A street scene in London’s Covent Garden with the underground station and a horse and cart in the background in c.1930 and the same street in 2014. (Photo by Museum of London/Streetmuseum app)
A visitor looks at a sculpture entitled “Couple Under an Umbrella, 2013” by artist Ron Mueck during the press day for his exhibition at the Fondation Cartier pour l'art contemporain in Paris April 15, 2013. (Photo by Charles Platiau/Reuters)
At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)